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Joy/Pain

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by Adam Sass 

Holy cow, what is the author of queer oppression book Surrender Your Sons doing talking about queer joy? On what PLANET? What BUSINESS do I even have here?

In my upcoming debut Surrender Your Sons, Connor Major is sent to a mysterious island conversion therapy camp, where he befriends the other captive teens and plots the camp’s destruction.

Joyous, right?

Well, this queer joy is actually probably closer to queer catharsis. The joy of breaking a cycle of trauma. The joy of righting a wrong. Big arms held up to the sky while rain comes slapping down, Shawshank Redemption-type joy. Most importantly, it’s the joy of Connor understanding that there’s more to his oppression than being a lonely cis white gay boy in a small Trumpy town. There’s kids on this island who have suffered longer—and worse—than him, and none of them are escaping the island alive if they don’t listen to each other.

Surrender Your Sons is a cross-section of the queer community that’s dropped into a jungle Petri dish. Their story is the greatness I believe queers are capable of when we listen, learn, fight, make up, and work through our differences to unite against a common enemy. You can’t truly save yourself if it means abandoning others in the community.

Thrills also give me joy.

I got a ton of joy writing a lovable, funny, bickering, imperiled ensemble working their way through a jungle adventure. To me, just BEING queer feels like a thrilling adventure story—Hunger Games, Maze Runner, Indiana Jones. We’re always escaping one damn thing after another. Queer progress is basically just a history of “out of the frying pan and into the fire”—yet always, always managing to thrive. Unstoppable. Queers are made for thrillers. Thrillers revolve around one of three plots: no one believes you; you can’t trust anyone; and you’ve got to do whatever you can to survive. Who knows how to do all those things better than queers? Added to that, we love being scared, and we LOVE screaming. There’s cliffhangers and suspense in shows like RuPaul’s Drag Race—a thriller is just another type of gag and reveal. 

That’s not to say I’m a stranger to actual, uncomplicated, straightforward stories of queer joy.

Queer YA has seen many great buzzy, sweetheart love stories, but even in the terrifying landscape of Surrender Your Sons, there’s a full-feels love story (several, actually). It’s just that in this book, the stakes for the relationship are higher. On this island, falling in love is a dangerous thing. It’s the old classic: forbidden love. These kids find love and joy blossoming among the rocks, when the very reason they’re trapped there is so that adults can stamp out these pairings. I take my creative cues from Buffy the Vampire Slayer, where they took all the emotional turbulence of being a teenager and amplified it to become the actual end of the world. In Surrender Your Sons, the emotions of being a teenager, being queer, and figuring out what that even means become literally life and death.

But I refused to tell this story with anything other than victory and hope in its bones. Queer joy can be found anywhere, even among the wreckage.

That’s important to understand, more now than ever before, when we’re facing indoor Prides apart from each other and flare-ups of loneliness. But distance cannot sever the interconnectedness of this community.

“You’ve taken your first step into a larger world.” It’s an infamous Star Wars phrase as our main character begins their hero’s journey. It’s also the moment many young queers realize that queerness is much greater than their single experience. To me, queer joy is about collaboration and cooperation within our great big collective. Our experiences are innumerable, so how could any one story encapsulate them all?

That’s what’s so exciting about LGBTQ+ YA literature in this moment. Historically, and most definitely in other media like TV and film, when queer people show up, we tend to be isolated as the only gay or only couple. Yet in YA, with each passing year, we’re seeing these arbitrary, inauthentic restrictions break down, allowing for more of us in a single space. After far too long, the world is finally getting a sense of the broadness and richness in variety of stories young queers have to tell. Trans stories, non-binary stories, ace/aro stories, Black queer stories, Latinx queer stories, and all the other beautiful stories that have been shut out, ignored, and suppressed for far too long.

The non-queer world has been shown a very limited view of how vast and fascinating our community really is. We MUST support these underrepresented voices, protect and grow their space in the YA community, and champion the access and availability of these titles to the people who need them most.

It’s also vital to have queer characters show up in multiple genres of YA because—first of all—the best way to avoid being boxed into a particular category is to organically make us part of every story. Romcom queers are great, and so are thriller queers. Queers are astonishing in high fantasy, as well as urban fantasy. Also, queer readers don’t collectively love the same genres. Surrender Your Sons is an adventure for everyone, but I primarily made it for the weird kids. The gothy kids, the snarky kids, the kids who enjoy a bit of wallowing in their own beautiful sadness. That’s what I longed for as a teen.

Expanding the genres of Queer YA expands the menu to allow for these divergent tastes.

With Surrender Your Sons, I wanted to add my voice to this variety of queer experience and expression—whether it’s through relationships, friendships, or even rivalries. There is no one way to be queer. And if you’re a white cis gay, there’s a big lesson in here about learning when to shut up, put your ego on the shelf, and listen to the other queer voices in the room because it just might save all of our lives.

So, my joyful queers, get to writing. There’s an entire ocean of untold, untapped stories out there, and the world is absolutely craving something so fresh and beautiful.

Adam Sass began writing books in Sharpie on the backs of Starbucks pastry bags. (He’s sorry it distracted him from making your latte.) Raised in an Illinois farm town, his desire for a creative career took him to Chicago, New York, Los Angeles, and currently, North Carolina, where he lives with his husband and dachshunds. When he’s not dropping hot takes on Twitter, Adam is a recurring co-host on the popular Buffy the Vampire Slayer podcast Slayerfest98. Surrender Your Sons is his first novel.

By |September 10th, 2020|Categories: Archive|Comments Off on Joy/Pain

There’s Magic Out There For All of Us

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by Emery Lee

I’ve been fortunate enough to have a lot of moments of queer bookish joy since first joining the book community in 2015. Queer books have become such a prevalent part of the YA community, and they’ve been given a lot more spotlight, opening up more opportunities for queer authors and readers alike.  Of course, when I think about an instance of queer joy tied to some of my favorite books, one that always comes to mind is a story about the book What if It’s Us by Becky Albertalli and Adam Silvera.

In 2018, I went to my first ever Book Expo of America. BEA is a massive book event held in New York for industry professionals, and living outside of the city, I never thought I’d really have the opportunity to attend. I got really lucky that year and ended up working at a booth with a friend, and the money I made that week paid for my trip into the city. So even though I knew I’d be working the whole week, I also wanted to take advantage of what might be my only chance to go to BEA. My most anticipated read that year was What If It’s Us, so when I found out I’d be going to BEA, my first and only real goal—besides seeing the city for the first time—was to get my hands on an advanced copy.

Anyone who’s been to BEA before knows that the event is wild. There are so many booksellers, librarians, book reviewers, authors, etc. all trying to get their hands on the top books of the coming year, so you can wait in line for hours and still not get a copy. Because I was working the event, it was difficult to get free time to sneak away and try to grab a copy, but I managed to break away about an hour before the signing to hop in line. As I stood waiting, more and more people came to join friends who’d already been standing in line in front of me, and before I knew it, the line moderator cut off the line two people in front of me, letting the crowd know they’d be out of books once that person got theirs. 

It was pretty devastating when I was so close to getting my copy, but I returned to work and went about my day before finally learning that there would be ARC drop—meaning they’d be handing out a bunch of copies, though they wouldn’t be signed—later in the day. I managed to break away again, and after another hour and a half in line, I finally got my copy! 

The book is an adorable little romcom about two boys who have an awkward, post office meet cute and go through the motions of trying to find each other again with the help of the rest of New York City. I devoured it in a day and a half. Not only was it an easy read—and I was on vacation—but it was one of those stories that really sucks you in, shows you characters you can’t help but love, and really hits you at your core. 

So, once my vacation ended, I pulled out my drawing tablet and set to work. I’d been in the middle of a big move, and my usual tablet had actually broken just before, so I was stuck using a tablet I wasn’t that familiar with and that crashed on me every five to ten minutes by the time I reached the end of the piece, but I managed to churn out one of the most colorful art pieces I’d ever done. I spent a week working on nothing but that design to get it done in time for the book’s release, and when I posted it, it got less than 10 notes and immediately faded into oblivion. I ended up posting it over to Tumblr hoping it’d get some traction there, and then I scheduled reblogs of it over a few months to keep it going until it finally started to pick up some steam of its own. 

Flash forward a year and some months, and I was sitting in my living room, waiting to hear back from my soon-to-be editor about a potential offer on what is now my debut, MEET CUTE DIARY. MEET CUTE DIARY is a trans romcom that I originally pitched as a combo of TO ALL THE BOYS I LOVED BEFORE and WHAT IF IT’S US since I wrote it at the end of a diverse romcom high centering these two books. My offer came in, and I was talking to my agent discussing our next steps and goals for the book going forward when I received an email…

…from Becky Albertalli.

I had never met or spoken to Becky before, except for short time when we were Twitter mutuals before she left the platform, so I saw her name on the email and immediately thought I must have signed up for some fan newsletter or something and just forgotten. So I opened the email, and suddenly I’m reading paragraphs about how Becky had found my WHAT IF IT’S US art from Tumblr, and that she and Adam loved it, and they were hoping to retroactively commission me for the art so that they could give it out at events. 

I couldn’t believe it was real, and I ended up reaching out to several different people to ask them if they had any advice on how to verify if an email was legit before finally speaking to a friend who verified it for me. 

And just like that, in one night, things changed so much for me. Not only was I getting a book deal, but the partnership brought new attention to my art and bloomed into a new friendship with one of my favorite authors. It was all extremely surreal, and even to this day, there are a moments I wonder if that actually happened, or if I just had a really wild dream and tricked myself into thinking it was real. 

What made this all so special for me was just the sheer luck and coincidence of this whole situation. There were so many things that had to land perfectly for any of this to play out, and looking back, it feels like it all must have happened that way for a reason. In a lot of ways, I think queer writers and readers feel barred from these lucky encounters that straight people boast about in stories all the time, but this moment was a reminder to me that there’s magic out there for us, and sometimes, things that seem inconsequential are all being pieced together to bring us something we really need. 

At the end of the day, this book will always have a special place in my heart that goes beyond just the story or the act of getting the arc. It’s a book that brought me deeper into the book community, that inspired my own creativity, and made me aware of the magic around me in a way I hadn’t felt since I was a kid, and I think that’s the greatest thing about books, but more importantly, about finding books that connect with who you are as a person. It starts to make you feel like magic is possible, even after you finish the last page.

Emery Lee is a kidlit author, artist, and YouTuber hailing from a mixed-racial background. After graduating with a degree in creative writing, e’s gone on to author novels, short stories, and webcomics. When away from reading and writing, you’ll most likely find em engaged in art or snuggling cute dogs.

Twitter: @EmeryLeeWho

Instagram: @EmeryLeeWho

By |September 9th, 2020|Categories: Archive, Author Guest Blog|Tags: , , , |Comments Off on There’s Magic Out There For All of Us

Our well deserved happy endings / Nossos tão merecidos finais felizes

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by Vitor Martins 

In 2016 I was unemployed, binge watching Grey’s Anatomy and living through a really dark phase of my life. Then I decided to write a book to make me forget about everything else. A book with a very self conscious gay kid who, just like me, needed to know that he was loved. That’s when Here the Whole Time started to exist. The book was published in Brazil the following year and is hitting the US bookstores on November 10th this year.

I may sound chill when I talk about it, but I literally had no chill at all for the past sixteen months, since I discovered that Scholastic has bought the rights and decided to translate my book. Seriously. No chill. Still feels like a dream.

In Here the Whole Time we follow Felipe, a fat gay teen, in self discovery journey during his mid year school break. As the story goes, Felipe learns to share his fears with a lot of different people. His mom, his new friends, his therapist, his dead grandma and his cute neighbour and life long crush. This book saved me.

It was because of it that I decided to come out to my mom. I couldn’t share such a personal story with the world before talking to her. It was a hard process. To this day, it still is. But she told me through tears, that I was not sharing any kind of breaking news. She probably had it all figured out when I was a kid running all over the house with a towel around my waist while singing Belle’s first song from Beauty and the Beast.

It was because of this book that my mom decided to meet my boyfriend during my first ever book signing event. And that was the highest queer bookish joy I could ever feel. Because I was surrounded by people who love and celebrate queer stories. Because it happened on the weekend of São Paulo’s Pride and there were rainbow flags all over the bookstore. Because my mom bought me a Pride Frappuccino from Starbucks and the taste was horrible and gross, but I couldn’t care less. Because after a long process of accepting myself and letting other people see me as I truly am, I was finally crying tears of joy for a change. It was like a movie scene, and to this day I still can’t believe that all that happened in just one regular Saturday.

As a writer I have the privilege to meet and talk to young readers, hear their funny stories on how they can relate with the awkward situations I put my characters into, and also their sad stories on how hard life has been for them. I had the privilege to keep these stories with me, as an extended part of my work, as a proof that, in some way, my characters went into their lives in a very remarkable moment. They talk from a place of love and I hear from a place of gratitude. And I can’t put into words how much this means to me.

But before I became an YA writer, I was an YA reader. Reading and sharing about my favorite queer books brought so many friends into my life, people that I share my journey with until this day, and have their names in the acknowledgements of my books. When we talk about YA literature, we are talking about sharing experiences and letting your vulnerabilities show and feeling each other’s pain and celebrating each other’s victories. This is what being part of something bigger than us feels like. A community that creates a safe space where you are valid, your story matters and people just get you. We could never achieve this without books.

Because queer books are brave. When other media types like films or TV shows are still in their baby steps, here we are with our queer YA books discussing gender identities, domestic violence, all types of families, queer History and, how dare us, queer people falling in love and living their well deserved happy endings. Queer books gave us a platform to make our voices heard, and to project the silenced voices that are still screaming in the background this whole time. We have to raise them up.

And now I feel like we are heading to new times, where language barriers won’t matter anymore. Where a Brazilian queer story will get to other countries and show all of our differences and similarities, bringing our sense of community to a whole new level.

When the YA Pride team asked me to write a guest post on queer bookish joy, that was the first word that came to my mind. Community. It was so good to feel like I belonged, like I had a chance to share a little bit more about my book with a new audience from a country I’ve never been before. But Felipe is on his way. And I bet he’s gonna love it.

Vitor Martins lives in São Paulo, Brazil, and works as an illustrator and book marketer. He believes that representation in young adult literature is a powerful weapon, and his main goal as a writer is to tell stories of people who have never seen themselves in a book. Follow him online at vitormartins.blog and on Twitter and Instagram at @vitormrtns.

 

 

Em 2016 eu estava desempregado, maratonando Grey’s Anatomy e passando por um momento bem sombrio na minha vida. Foi quando decidi escrever um livro que me fizesse esquecer tudo de ruim que estava acontecendo. Um livro sobre um garoto gay muito complexado que, assim como eu, precisava descobrir que era digno de ser amado. Foi assim que Quinze dias começou a existir. O livro foi publicado no Brasil no ano seguinte, e está chegando nas livrarias dos Estados Unidos dia 10 de Novembro de 2020.

Pode parecer que estou de boa quando falo sobre isso, mas literalmente não me lembro da última vez que fiquei relaxado nos últimos dezesseis meses, desde que descobri que a Scholastic havia comprado os direitos de tradução do meu livro. Sério. É impossível ficar de boa. Ainda parece que estou sonhando.

Em Quinze dias nós acompanhamos Felipe, um adolescente gay e gordo, em uma jornada de autoconhecimento durante suas férias de julho. No decorrer da história, Felipe aprende a compartilhar seus medos com várias pessoas diferentes. Sua mãe, seus novos amigos, sua terapeuta, sua avó morta e seu vizinho bonitinho, pelo qual ele sempre foi apaixonado. Esse livro salvou a minha vida.

Foi por causa dele que decidi me assumir para a minha mãe. Eu não poderia compartilhar com o mundo uma história tão pessoal antes de falar com ela. Foi um processo difícil. Até hoje ainda é meio complicado. Mas naquele dia, enquanto chorava, ela me disse que eu não estava contando nenhuma novidade. Ela provavelmente já sabia desde quando eu era criança, correndo pela casa com uma toalha enrolada na cintura enquanto cantava a música de abertura de A Bela e a Fera.

Foi por causa deste livro que minha mãe decidiu conhecer meu namorado, na minha primeira sessão de autógrafos. Naquela tarde me senti mais feliz do que nunca em toda a minha vida. Porque eu estava cercado de pessoas que amavam e celebravam histórias queer. Porque ela aconteceu no final de semana da Parada do Orgulho em São Paulo e a livraria estava cheia de bandeiras de arco-íris. Porque minha mãe comprou pra mim um Frapuccino do Orgulho na Starbucks, e o gosto era horrível e nojento mas eu não estava nem aí. Porque depois de um longo processo para me aceitar e deixar que as outras pessoas me enxergassem como eu sou de verdade, eu estava finalmente chorando de alegria dessa vez. Parecia uma cena de filme, e até hoje eu ainda não consigo acreditar que tudo aconteceu em um sábado como outro qualquer.

Como escritor, tenho o privilégio de conhecer e conversar com jovens leitores, ouvir suas histórias engraçadas sobre como eles se identificam com as situações constrangedoras vividas pelos meus personagens, e também as histórias tristes, sobre como a vida tem sido difícil para eles. Tenho o privilégio de guardar essas histórias comigo, como se fossem uma parte estendida do meu trabalho, como prova de que, de alguma forma, meus personagens apareceram em suas vidas em um momento importante. Eles compartilham com amor e eu recebo com gratidão. E não consigo explicar em palavras como isso é importante para mim.

Mas bem antes de eu me tornar um escritor de livros para jovens, eu era um leitor desses livros. Ler e compartilhar meus livros queer favoritos fez com que eu conhecesse tantos amigos especiais. Pessoas com as quais eu compartilho minha vida até hoje, e guardo seus nomes nas páginas de agradecimentos dos meus livros. Quando falamos sobre literatura jovem, estamos falando sobre compartilhar experiências pessoais e mostrar nossos medos, sobre sentir a dor do outro e celebrar suas vitórias. Sinto como se eu fizesse parte de algo muito maior do que eu. Uma comunidade que criou um ambiente seguro onde você é válido, sua história importa e as pessoas simplesmente te entendem. Nós nunca teríamos conquistado esse espaço se não fosse através dos livros.

Porque livros queer são corajosos. Enquanto outras formas de mídia como filmes ou séries de TV ainda estão dando passos de formiga, cá estamos nós com nossos livros que falam sobre identidade de gênero, violência doméstica, todos os tipos de família, a História do movimento queer e, vejam só, pessoas queer se apaixonando e vivendo seu tão merecido final feliz. A literatura queer nos deu um espaço onde nossas vozes são ouvidas, e nós podemos ampliar outras vozes que por muito tempo foram silenciadas mas nunca pararam de gritar. Temos que levantar essas vozes.

E agora sinto que estamos caminhando para um novo momento, onde barreiras de idiomas não vão mais importar. Onde uma história queer brasileira vai chegar em outros países para mostrar nossas diferenças e semelhanças, levando esse senso de comunidade a um novo nível.

Quando a equipe do YA Pride me convidou para escrever um texto sobre felicidade dentro da literatura queer, essa foi a primeira palavra que me veio à mente. Comunidade. Foi tão bom sentir que eu fazia parte de algo, que agora eu tenho a chance de compartilhar um pouquinho sobre o meu livro com um público totalmente novo, leitores de um país onde eu nunca estive antes. Mas Felipe está a caminho. E eu tenho certeza de que ele vai adorar.

Meu nome é Vitor Martins e eu sou o autor de Quinze dias, Um milhão de finais felizes e outras histórias. Meus livros geralmente são sobre adolescentes LGBT+ descobrindo o mundo e se apaixonando, e isso pode acontecer em um apartamento pequeno, uma cafeteria espacial ou em um navio pirata.

Sou formado em jornalismo pela Universidade Cândido Mendes de Nova Friburgo – RJ (a cidade onde eu nasci e vivi a maior parte da minha vida), e atualmente moro em São Paulo com meu namorado e meus dois gatos, Clarêncio e Sonic.

By |September 8th, 2020|Categories: Archive, Author Guest Blog, Writers on Writing|Tags: , , , , |Comments Off on Our well deserved happy endings / Nossos tão merecidos finais felizes

Queer Bookish Joy

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by L.C. Rosen

Queer Bookish Joy.  That’s quite a thing to ask for these days.  The whole point of these posts is to lift people up and make them cheerful so I don’t want to get into how I’ve been, but I will say this – most moments of queer joy, in my opinion, come about because of queer rage.  Our power comes from anger. My story of queer bookish joy came about because of some rage.  

The rage I felt was about how I felt queer boys were being portrayed in the most popular YA titles.  How we were always sweet, always nice and shy and looking for love.  How that was all we were allowed to be seen as.  And how nearly all those books – the successful, popular ones with queer male leads – were written by women.  I know they wrote us as cute and sweet because that’s how they wanted to see us.  They wanted to tell us we deserved love – which is a nice thing to say – but what they didn’t realize is that by crafting variations of the same narrative in which love was the only thing we wanted (and usually a chaste, adorable sort of love, not a hot lip-biting kind of love), they limited our stories to ones of seeking out love.  They saw teen queer boys as pitiable.  They felt sorry for them – poor loveless boys, so shy, so introverted and hiding their queer magic.  So they wrote us nice little love stories to give us what they thought we needed.  But in those stories, we were never allowed to be messy, or wild, or gods forbid, want something that wasn’t romance.  Want just to get laid.  That would be a bad gay.  Not a model minority like they always wanted us to be.  Sweet, shy, chaste, romantic.  That’s who we were becoming in popular culture.  And I HATED that.  Because the message I was seeing was that gay teens were only worthy of love if they were a certain *type* of gay teen.  

(That’s not to say that those stories aren’t important – of course they are. Any story that tells a queer teen they are seen and deserve love is important.  But when you only show a minority as one type of person over and over, it limits those kids trying to find themselves in that literature.  It means they’re told they only have one option of who they can be. It means they think they only get love if they conform to what people think a good gay person is.)

So, in my hate, I created Jack.  Jack, who didn’t want love.  Jack who was unapologetically slutty.  Jack who was going to write a sex column and include an anal how-to within the first 100 pages of the book.  I LOVED writing Jack.  Jack was a scream – Jack was me telling the world that gay teens can be anything they want – messy, slutty, mean, not a great student, unapologetically femme, drunk, do drugs, whatever – and still deserve to be loved.  Jack was everything I thought the gay teens in the popular books would hate.  Or fear.  But I loved him.  And I also knew he was a terrible idea.

I wrote 99 pages of Jack of Hearts (and other parts) in just a few weeks.  And then I stopped.  I have a rule – if I write more than 99 pages of a project, I am required to finish it.  It becomes the priority.  And I had other, safer things I could be working on.  Adult stuff, other YAs even.  Nothing like this.  This was clearly a bad idea.  The 100th WORD of the book was “fourgy.”  There was no way this was getting published.  

Still – I’d written it.  And writing it had filled me with that queer bookish joy I’m supposed to be writing about here – so I thought ‘let’s get another opinion.’  I’m lucky that the editor of one of my middlegrades, Alvina, had become a good friend.  So I reached out to her without my agent, just as a friend, and said “look, I wrote this thing.  99 pages worth, and if I go over that I have to finish it.  I’m not asking you to buy it or even consider buying it – I just want to know if you think this is a terrible idea and I should put it away, or if it’s worth it to keep going.”  Alvina very generously said she’d give it a look.  I didn’t hear from her about it for a while, and I focused on other projects.  But she did check in at one point, saying she was halfway done with the pages, and liking it, and she knew at least one editor who it might be worth sending it to, but to let her finish.  I said thanks, made a note of the editor, and went back to the other projects.  A week or so later, she wrote me again “have your agent officially submit this to me – I want to buy it.”

So that was my moment of queer bookish joy.  That this character, who I loved so much for being messy and angry and slutty and everything I felt like books were telling queer teens they couldn’t be – was loved by someone who wasn’t me.  A straight person, no less.  And with any luck, he was going to be released into the wilds to show the rest of the world that he was just as deserving of love as those nice, good gay boys.  Writing the rest of Jack’s story – having him sold in the UK to a team who loved him – all of that was a lot of joy.  The reactions to him out in the world have been joy, too: I love the people who love him, but I also have a place in my heart for the people who go “look, I would never be friends with this guy in real life, he’s a bad kid, but he’s also worthy of love.”  That was the point.  And the teens who read Jack and feel that great sigh of relief – that’s a moment of joy for me, too.  Those kids who go ‘oh, it’s okay to just want to sleep around for now. It’s okay to have desires.’  And especially all the kids – gay and straight – who go ‘oh, so that’s what they didn’t teach me in sex-ed: well that explains a lot.’  Knowing all those folks are out there (and the adults, too, who email me, asking me for follow up on some of Jack’s sex advice) – they bring me joy.  And Jack brought them joy.  

And of course, there are so many more types of queer boys out there in YA now.  There were plenty before Jack.  But we should still look to who is popular, and why, and what you tell queer kids when you hone in on one type of gay boy, one type of gay book.  We have more than one story.  We DESERVE more than one story being told.  And readers – straight, queer, male, female – deserve to see queer kids as more than one type of kid.  I tried to do that too in my new book, Camp, where by setting it at an LGBTQIA+ summer camp, I got to explore a wide variety of queer identities, and show how they’re all worthy of love.  I admit, making it a rom-com almost felt like giving in – was I now creating a book that I’d raged against?  But by making sure my protagonist in that – Randy – was just as messy and human as Jack, I think I carried on my happiness: I showed another type of queer kid who is worthy of love.  And not just Randy, but all the other characters in Camp, too.  Every book I get to write brings that joy – that moment of knowing that I’m showing people there’s more than one queer story.  

So read widely: read the stories of queer kids you might not think you’d like.  I think you’ll find that those stories, those kids, are just as important and worthy of love as any other.  And that might bring you some queer bookish joy of your own.  

Lev Rosen is the author of books for all ages. Two for adults: All Men of Genius (Amazon Best of the Month, Audie Award Finalist) and Depth (Amazon Best of the Year, Shamus Award Finalist, Kirkus Best Science Fiction for April). Two middle-grade books: Woundabout (illustrated by his brother, Ellis Rosen), and The Memory Wall. And two young adult novels: Jack of Hearts (and other parts) (American Library Association Rainbow List Top 10 of 2018) and Camp.  His books have been sold around the world and translated into different languages as well as being featured on many best of the year lists, and nominated for awards. 

Lev is originally from lower Manhattan and now lives in even lower Manhattan, right at the edge, with his husband and very small cat. You can find him online at LevACRosen.com and @LevACRosen

Lev is represented by Joy Tutela of the David Black Agency.

By |September 7th, 2020|Categories: Archive, Author Guest Blog, Writers on Writing|Tags: , , |Comments Off on Queer Bookish Joy

Finding My Way to Queer Fairytales and a Book Deal

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by Leslie Vedder

I’ve always wanted to be a writer.  This has taken a lot of different forms for me over the years.  Illustrator/author of stapled together grade-school masterpieces. Closet fanfiction writer. (Only in the sense that I wrote from the closet; my fanfiction was always slash!)

Then I got into original work, learning to put the worlds and characters I’d imagined in my head down on paper.  My first attempts were mostly epic fantasy stories that hit all the familiar beats I’d read so many times—you know, nine guys go on a quest, and none of them are even in love with each other!

Still, they lit my imagination on fire like nothing else. There’s a certain magic to reading and being transported into the shoes of a character battling a dragon or rescuing a princess. There’s  even more magic in being the wizard behind it, scheming up all the dastardly villains and angsty love triangles and perilous fights.

I really loved writing, but I often found it hard to stay interested in my own characters.  Something I can now look back and admit was probably because they weren’t all that interesting. (Pro tip: Don’t write gritty, unromantic, dark heroes—unless you love gritty, unromantic, dark heroes. Then go nuts!)

A few projects ago, I finally had a revelation.  I love girl adventurers and heroes and f/f pairings and fairytales, so why wasn’t I writing those?  For the first time, I let myself write the stories closest to my heart, the ones that my young self would have adored: stories about dashing girl rogues, genderqueer knights, non-binary witches, and even some cis princes waiting to be rescued!

After a few false starts, I stumbled onto a project that felt like it could go all the way: a genderflipped Sleeping Beauty story starring two girl treasure hunters, mashing up the basic prick-your-finger, three-good-fairies story with a whole lot of witches and some Indiana Jones style ruins and riddle-solving. Right away, I fell in love with one of my two MCs: a queer ax-wielding warrior girl with a big mouth and a bigger personality, who was loud and proud from her very first line.

I’m not going to lie. Working toward being a published author can be brutal—it’s full of a lot of rejection and heartache. Worse, you don’t always get to know why. Is it me? My writing? My characters, which I now love…but maybe nobody else does?

Luckily, I have a partner who is my first reader, my editor, and my biggest fan. She never stopped believing in me, never stopped encouraging me. Never stopped pushing me to keep going—even when the going was rough. Even when I would lie dramatically on the floor after my nth rejection, saying it was all over, she’d just keep typing away at the Excel spreadsheet where we kept track of everything, saying: next moves, let’s go. There would honestly be no book without her.

(She’s also been my best friend since high school and once wrote me a novel-length fanfiction on request. If that doesn’t sound like true love, then you don’t know that it was a Teenage Mutant Ninja Turtles novel!)

After years of waiting, and hoping, and occasionally crying into my pillow, and revising (soooo much revising!), the news that my book, The Bone Spindle, was finally going to be published came very suddenly. An editor had read my book and loved it. I was going to get to share my genderflipped Sleeping Beauty and my queer ax-wielding huntswoman with the world!

I could only read the first lines of the email before screaming for my partner and making her read the rest. I spent a whirlwind half hour talking with my new editor on the phone, while my partner kept circling me, taking pictures of my ridiculous grin to capture the moment.

Sharing that joy with her was a dream come true. But nothing is more of a dream come true than knowing I get to put my stories out there into the world, and some younger version of myself will hopefully find them and fall in love with them, just like I fell in love with so many books. There were days, while I was on submission, when I wondered if I should give up writing the stories of my heart and write stories I recognized—other people’s stories. But now, I’m proud to say I wouldn’t have it any other way.

Leslie Vedder (she/her) is a queer ace author who loves fairytale retellings with girl adventurers and heroes! Her debut YA novel THE BONE SPINDLE is forthcoming in Spring 2022 from Penguin / Putnam Young Readers. She has a B.A. in creative writing from San Francisco State University. Her climate fiction won the Aftermath Short Story prize, and she has been a speaker at the Northern Colorado Writers Convention and the SCBWI Letters & Lines Conference. She lives in Colorado with her girlfriend and two spoiled house cats. You can find her at leslievedder.com.

By |September 6th, 2020|Categories: Archive, Author Guest Blog, Writers on Writing|Tags: , |Comments Off on Finding My Way to Queer Fairytales and a Book Deal
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